(From left to right): Jake De Agrela (Co-director), James Norton (“Frank Reynolds”), Chloe Holmes (Producer), Zeke Morgan-Hind (Co-director/Writer), Keenan Bailey (Sound Production/Editor) and Szalina Maass (Cinematographer) celebrate wrapping the filming on April 20th, 2018

Zeke Morgan-Hind (Co-Director, Writer and Production Designer) helmed the production with his ambitious storytelling and leadership skills.

Jake De Agrela (Co-Director) brought a wealth of experience to the project as well as filling in the gap of the beautifully matched directorial duo.

Szalina Maass (Cinematographer) brought a keen eye to set, channeling her enthusiasm into the gorgeous visuals you see in the film.

Chloe Holmes (Producer) held the production together with tight scheduling and efficient organization while keeping the vision of the film fully intact.

James Norton (“Frank Reynolds”) brought life to the drunken comedian as well as his alter egos both on-stage and in front of the lens with great passion and truth.

(From left to right): James Norton (“Frank Reynolds”), Zeke Morgan-Hind (Writer and Co-Director), Szalina Maass (Cinematographer), Chloe Holmes (Producer) and Jake De Agrela (Co-Director) having fun after having taken their head shots.

Red Poster

Green Poster

Black Poster

“Hard to Explain” 2014 Poster for Frank Reynolds Tour

POC Shoot (6th April, 2018), the crew prep the room for the shoot

POC Shoot (6th April, 2018), the crew prep the room for the shoot

POC Shoot (6th April, 2018), Keenan Bailey (Sound) doing his thing on-set

POC Shoot (6th April, 2018), the crew help block off the extra space. Frank Reynolds must suffer with a smaller backroom

POC Shoot (6th April, 2018), James Norton as Frank Reynolds

POC Shoot (6th April, 2018), Szalina Maass (Cinematographer) gets her close up on James

POC Shoot (6th April, 2018), James Norton with his prop food

Celebratory wrap photo (1)

Celebratory wrap photo (2)

Jake De Agrela gets a quick selfie with the crowd from the final shot of the film

Jake De Agrela, Keenan Bailey and James Mooney pose for a selfie early in production

Jake De Agrela, Keenan Bailey and James Mooney check the shot list

The aforementioned selfie starring Jake De Agrela (Co-director), Keenan Bailey (Sound) and James Mooney (“Manager”)

The crew set up the JIB for the final shot of the film (1)

The crew set up the JIB for the final shot of the film (2)

Zeke and James have a laugh as the seated crowd make their appearance

Zeke Morgan-Hind carefully places the microphone

Szalina gets down and dirty for some cool shots

Szalina gets down for some nice B-roll of the famous stool

Some of the set dressing thanks to Zeke Morgan-Hind (Production Designer)

Szalina makes sure to get James’ good side

Phoebe Dingli helps set up “Frank Reynolds”’ face to be screen-ready

Exploring camera angles

Szalina and Keenan get the lighting and sound sorted for the “Heckler’s” coverage

A wide view of the cast and crew prepping

Szalina Maass (Cinematographer) climbs to the top of the space for a high angle shot

Chloe Holmes (Producer) prepares the slate while Zeke Morgan-Hind (Co-director) and Szalina Maass (Cinematographer) prepare the camera

Chloe Holmes (Producer) prepares the slate, Zeke Morgan-Hind (Co-director) and Szalina Maass (Cinematographer) prepare the camera and Keenan Bailey (Sound) prepares his sound

Keenan Bailey checks his sound levels

Szalina Maass (Cinematographer), Abbey Kind (Additional Crew) and Chloe Holmes (Producer) prepare a shot

Jake De Agrela (Co-director) talks James Norton (“Frank Reynolds”) through the next scene (1)

Jake De Agrela (Co-director) talks James Norton (“Frank Reynolds”) through the next scene (2)

Zeke Morgan-Hind (Production Design) prepares the prop drinks

Jesse Newell (On-set Photographer) takes a sneaky photo of the mirror

Szalina Maass (Cinematographer) and Abbey Kind (Additional Crew) prep the shot

Keenan Bailey (Sound) waits until his turn is up

Jake De Agrela (Co-director) enjoys his morning coffee

Chloe Holmes (Producer) makes sure everything is done in a timely manner

Phoebe Dingli finishes with James Norton’s makeup

Zeke Morgan-Hind and James Norton compare drinks together

Zeke Morgan-Hind helps prepare the set (1)

Zeke Morgan-Hind helps prepare the set (2)

(From left to right): Keenan Bailey, Zeke Morgan-Hind, Phoebe Dingli, Jake De Agrela, Chloe Holmes, James Norton, Szalina Maass, Abbey King. The crew gather around the star (1)

(From left to right): Keenan Bailey, Zeke Morgan-Hind, Phoebe Dingli, Jake De Agrela, Chloe Holmes, James Norton, Szalina Maass, Abbey King. The crew gather around the star (2)

The crew figure out how to achieve the next shot in the dressing room

(From left to right): Szalina Maass, Jake De Agrela, Abbey King and Chloe Holmes

Szalina Maass (Cinematographer) with our GH5S

(From left to right): Abbey King, Keenan Bailey and Jake De Agrela

(From left to right): Szalina Maass, Abbey King and Jake De Agrela

Chloe Holmes (Producer) steps on-set

Keenan Bailey (Sound/Editor) steps on-set

Szalina Maass (Cinematographer), Jake De Agrela (Co-director) and Abbey King (Additional Crew) prepare the JIB

Zeke Morgan-Hind (Co-director) prepares the stool for a shot

Zeke Morgan-Hind (Co-director) gives Szalina Maass (Cinematographer) some direction

Szalina Maass (Cinematographer) starts assembling the gear for today’s shoot

Zeke Morgan-Hind (Co-director) and James Mooney (“Manager”) prepping

Phoebe Dingli prepares James Norton for some light makeup (1)

Phoebe Dingli prepares James Norton for some light makeup (2)

Phoebe Dingli prepares James Norton for some light makeup (3)

Some quick tips before moving onto the next shot

Szalina Maass (Cinematographer) and Abbey King (Additional Crew) see the shot list (1)

Szalina Maass (Cinematographer) and Abbey King (Additional Crew) see the shot list (2)

Szalina Maass (Cinematographer) and Abbey King (Additional Crew) see the shot list (3)

Zeke Morgan-Hind (Co-director) sees a passed out Jason Kim (Additional Crew)

The crew sets up the JIB before a crowd of extras enter the room

Zeke Morgan-Hind talks to Jason Tolj

The famous stool and mic (1)

The famous stool and mic (2)

The JIB is set, time to white-balance the GH5S

Szalina Maass (Cinematographer) and Abbey King (Additional Crew) see the shot list (4)

Jake De Agrela (Co-director) helps hold the JIB (1)

Jake De Agrela (Co-director) helps hold the JIB (2)

Jake De Agrela and Zeke Morgan-Hind (Co-directors) help with the JIB

The crew work to balance the JIB (1)

The crew work to balance the JIB (2)

Zeke Morgan-Hind and Jake De Agrela (Co-directors) and Szalina Maass (Cinematographer) share a laugh

Jake De Agrela and James Norton share a laugh (1)

Jake De Agrela and James Norton share a laugh (2)

Jake De Agrela and James Norton share a laugh (3)

James Norton prepares for his first piece of acting for the day

Zeke Morgan-Hind directs the crowd

Szalina Maass prepares the final shot of the film (or first on the schedule)

The crowd waits for their moment

The crew move on from the crowd shots to start work on the opening oner

James Norton waits between setups

Jason Kim and Kirralee Martin (Additional Crew) check the table for the shot list (1)

Jason Kim and Kirralee Martin (Additional Crew) check the table for the shot list (2)

Phoebe Dingli and Jason Kim share a laugh

Chloe Holmes (Producer) makes sure the crew stay on schedule

Keenan Bailey checks his sound recordings (1)

Keenan Bailey checks his sound recordings (2)

Zeke Morgan-Hind works on how to direct the big oner opening shot (1)

Zeke Morgan-Hind works on how to direct the big oner opening shot (2)

Zeke Morgan-Hind works on how to direct the big oner opening shot (3)

Zeke Morgan-Hind directs some extras

Chloe Holmes (Producer) and Jason Tolj (Lighting/Set Supervisor) are on check

The crew use the table in the corner as a means to hold equipment and papers

Some of the crew have some fun conversations between set-ups

Jason Kim prepares between set-ups

The crew get ready for the big opening oner (1)

The crew get ready for the big opening oner (2)

The crew get ready for the big opening oner (3)

Zeke Morgan-Hind (Co-director)

Zeke Morgan-Hind (Co-director)

Chloe Holmes (Producer)

Slate: Take 1

James Norton takes a small break between setups

James Norton poses with his poster

“Frank Reynolds” (1)

“Frank Reynolds” (2)

Setups (1)

Setups (2)

Szalina takes a moment to take more footage

Jake De Agrela, Zeke Morgan-Hind, James Norton and Phoebe Dingli discuss a shot

Jake De Agrela, James Norton and Keenan Bailey have a quick laugh before shooting (1)

Jake De Agrela, James Norton and Keenan Bailey have a quick laugh before shooting (2)

Szalina Maass (Cinematographer) gets low and dirty for smooth angles

Jake De Agrela (Co-director) and Keenan Bailey (Sound) share a laugh (1)

Jake De Agrela directing... something

Jake De Agrela (Co-director) gets ready to refresh the slate

Slate!

Jake De Agrela (Co-director) and Keenan Bailey (Sound) share a laugh (2)

The crew set up the lighting in the backrooms (1)

The crew set up the lighting in the backrooms (2)

The crew set up the lighting in the backrooms (3)

Jake De Agrela (Co-director) and Chloe Holmes (Producer) work out the schedule together (1)

Jake De Agrela (Co-director) and Chloe Holmes (Producer) work out the schedule together (2)

Zeke Morgan-Hind (Co-director) and Szalina Maass (Cinematographer) check the framing

Keenan Bailey (Sound/Editor)

Abbey King (Additional Crew)

Jake De Agrela (Co-director)

Jesse Newell (On-set Photographer)

Szalina Maass (Cinematographer) prepares the ISO

Szalina Maass (Cinematographer)

The crew lighting the scene and the crew grabbing sound from the scene

Jake De Agrela, James Norton and Phoebe Dingli prepare for a performance

Zeke Morgan-Hind (Co-director) relaxes after wrapping the film

Zeke Morgan-Hind and Jake De Agrela, Co-Directors

Jake De Agrela (Co-director), Zeke Morgan-Hind (Co-director) and Keenan Bailey (Editor) get to work on the very first assemble cut of the film

Zeke Morgan-Hind (Co-director) does some touch ups on a cut of the film

Zeke Morgan-Hind (Co-director) hanging out in the editing room

Zeke Morgan-Hind (Co-director) and James Norton (“Frank Reynolds”) take a break to eat after an editing session

Jake De Agrela, Zeke Morgan-Hind and James Norton hang out after an editing session

James Norton (“Frank Reynolds”) does some ADR work during post-production

James Norton (“Frank Reynolds”) hangs around in the sound stage

James Norton and Zeke Morgan-Hind prepare for a song recording

Zeke Morgan-Hind and Melissa Munoz Escobar listen to a version of her song “Voices in my Head” during recording

Melissa Munoz Escobar records “Voices in my Head”

Melissa Munoz Escobar having some fun in the sound stage

Zeke and Melissa talk through the song

Melissa Munoz Escobar records a track

The Murdoch University screening of Faces in the Crowd (along with several other shorts), the crowd is coming in!

(From left to Right): Jason Tolj, James Norton, Phoebe Dingli, Jake De Agrela and Zeke Morgan-Hind celebrate their first screening of “Faces in the Crowd” (1)

(From left to Right): Jason Tolj, James Norton, Phoebe Dingli, Jake De Agrela and Zeke Morgan-Hind celebrate their first screening of “Faces in the Crowd” (2)

Jake De Agrela (Co-director) and Phoebe Dingli (“Ex Wife”) take a selfie outside the Murdoch Uni screening

Jake De Agrela (Co-director) and Melissa Munoz Escobar (Songwriter) take a selfie outside the Murdoch Uni screening